Tuesday, June 26, 2012

Key Points from Learning Through Digital Media Impacting Maria’s Course Redesign


The short essays in Learning Through Digital Media (LTDM) have been particular helpful in providing examples of theory put into classroom practice. During the third week of class, we were asked to read both LTDM and Because Digital Writing Matters (BDWM). Reading these two books in pairs, I found BDWM much more focused on the theory behind the justification for digital writing. However, LTDM attempted to actually put the theories into practice. Now as I am attempting to redesign my course, I find myself referring to LTDM to begin to bring digital media theories into practice.

Doing so I am finding is not such an easy task and I think that Elizabeth Ellsworth’s explanation that “pedagogy is living” and changing centers around the difficulty of bringing theory into the classroom. Particularly this is because pedagogy only works in theory. In actuality, Ellsworth claims, “pedagogy does not follow rules, nor does it rule…pedagogy is a living form” (p. 305). It is this understanding that pedagogy is not fixed or set, pedagogy depends upon interaction and growth and learning. This understanding of pedagogy I believe to helpful in any course. However, I find this explanation particularly helpful when designing an online course for several reasons. One, for many teachers, online courses are somewhat of a new venture. Many teachers have had limited, if any, experience teaching an online course. Thus, in many ways online pedagogy is new and something that needs to be developed and tended and nurtured. For these teachers, pedagogy needs to be born and, to use Ellsworth, live. Additionally, tools used for online courses often times continue to live well past the end of a course. Often times online courses use blogs to facilitate student discussion, invention, and reflection. Yet, these blogs never die. They exist in the online world very differently than how classroom discussion exists. As such, teachers and students need to be conscious of how pedagogy needs to have room to adapt and adjust to living spaces. Student writing and thoughts that live in online spaces has the potential to reach an audience beyond the class. Further, the spaces where such writing and discussion occurs has the potential to change beyond the teacher or students control. As such, incorporating a pedagogy based heavily on media and online interactions will most likely need to be changed and altered in order to continue to be an effective pedagogy. Understanding pedagogy as a living thing then is an important encompassing concept grasp as I begin to redesign my course. Specifically, Ellsworth’s point regarding pedagogy has assisted in my understanding of how does and should function in courses, specifically online courses.

Further, other essays in LTDM have offered excellent examples of moving theory into practice as it relates specifically to my intentions in my course redesign. Specifically, the essays by Matthew Gold and Kenneth Rogers are two great examples of how to move theory into actual practice. The essays by these two authors were particularly interesting because they brought up the idea that using digital media in the classroom impacts the practices and even the learning outcomes that occur. Both Gold and Rogers appear to be echoing similar theories discussed by Gaver in “The Affordances of Media Spaces for Collaboration”. Gold, Rogers and Gaver focus upon what the classroom becomes when one moves it from a traditional classroom with desks, chairs, and walls to a classroom with non-physical attributes, online attributes. While Gaver believes that implementing digital media affords spaces for collaboration, Gold views using digital media as a tool for creating “social, networked, open-source classrooms” (p. 76).  For Gold, by using blogs like BuddyPress the classroom as a network becomes “more open, more porous, and more varied” where the “classroom as a social network can help create engaging spaces for learning in which students are connected to one another, to their professors and to the wider world” (p. 76). This explanation of the online classroom supports my own class redesign. My redesign attempts to break out of the traditional classroom walls and to begin to make steps to connect with the outside world. As someone who attempts to integrate elements of critical pedagogy in her classroom, it thus becomes essential to take steps for my students to engage with a larger world. Doing so I believe allows students to make better connections with such issues rooted in the real world, not just the classroom.

Rogers, too, appears to support my understanding of using digital media as a tool to better engage students in critical concepts stating that “most productive occasions of successful pedagogy might begin in the classroom but become truly generative when they are directly linked to a student’s life experience in an altogether different social environment” (p. 232). To do so, Rogers then argues that teachers should use digital tools to bridge “utility and applicability to more than one sphere of society” (p. 232). For Rogers then using online tools can help bring these two worlds – the classroom and other social environments – into greater proximity in the courses. It is this argument for the incorporation of digital tools and online courses that resonate with me. As a teacher of critical pedagogy I am always attempting to extend course activities and assignments into real world situations. These assignments attempt to encourage students then to challenge themselves and write for a purpose and an audience beyond the classroom. As such, I plan on implementing much of the suggestions and theoretical reasoning that Gaver, Gold, and Rogers stress.

Finally, Mark Sample’s should be briefly discussed as an excellent illustration as to why the online space is a prime location for a writing class rooted in critical pedagogy. In the essay, Sample stresses three principles that should always be the foreground for any teaching with technology. These three principles are intentionality, reflection, and accountability (p. 296). My own critical pedagogy course, even without being online attempts to follow such principles and expects to see some visible elements of this in my students writing. Yet, Sample argues that technological tools allow such principles to exist in new ways. Teaching with these three principles, Sample argues that students become not only better learners but also more expert learners. And while Sample claims that one does not need technology to teach intentionality, reflection and accountability, these principles are something that should be found in any course. I anticipate then consciously having these three principles in the back of my mind as I design my course and being to draft revised project descriptions and interaction activities. These principles are great in theory but can be a challenge to implement and even more of a challenge to “see” in student writing. And then translating them to an online course presents even more challenges. However, I anticipate that such principles will be key in establishing course learning goals. With goals established, the tools and interactions selected will then attempt to incorporate these principles from theory into practice.

These specific essays found in LTDM I then anticipate using in my reflective piece to help provide a brief rational as the choices and decisions that I have made. As I have mentioned in other blog posts I am interested in Gere’s (1994) idea of incorporating the “extracurriculum” and breaking down classroom walls. The work primarily of Gaver, Gold and Rogers appear to support this similar idea and yet do so with the inclusion of technology. As I think about this course, I am now beginning to wonder if what I am trying to do is even possible to do so without the use of technology. Many scholars in the mid to late 90’s have critiqued the success of critical pedagogy and resistance to it, and I wonder if some of that is because technology was not applied in those instances. Thus, I wonder if adding a technological aspect to critical pedagogy courses would counter such critiques and offer a new perspective on the theory. Perhaps my class will help answer such a question…

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